La Instrumentalizacion de los Sentidos

Please read the whole article at the original source. Quote follows:

Just as the physical laws of perspective apply to artists like Da Vinci, Alberti, and Durer, who referred to the image as if they were explaining geometrical and mathematical concepts, the composition of the computational image is constituted from numerical relationships. The difference is that this “new” numeric conception of the image has a micro and internal character, since it’s located in each particle/pixel that composes the digital image.

[…]

The main “creative” variable of the computational/digital dispositive of production is its accuracy, its control over the image, the total subjugation of each particle/pixel to the “subjectivity” of the user. Curiously, this “subjective” operation depends on a methodological menu pre-established in a digital universe which has been traced beforehand by the designers of corporate hardware and software.

[The Instrumentalization of the Senses] via Andres Tapia-Urzua, Braintrustdv

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One Response to “La Instrumentalizacion de los Sentidos”

  1. Corriendo despacio Says:

    “Curiously, this “subjective” operation depends on a methodological menu pre-established in a digital universe which has been traced beforehand by the designers of corporate hardware and software”

    En realidad si lo piensas bien, es lo mismo que hacía Dürer y Da Vinci, son las mismas posibilidades sujetas a un sistema bien definido, lo que hace una máquina es eliminar la parte procesual de ese sistema. Como tener tramas áureas definidas por default.

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